Carson crashing Big Brother

Lookout bitches.

Carson Kressley is "crashing the Big Brother closet."

That's the title of a special episode that TEN has just announced for the reality series. Presumably it means he will go into house for some sort of makeover that will conveniently plug How to Look Good Naked at the same time -but who knows?

The one hour special is slated for 7:30pm next Wednesday following the Daily show.

As a result Rules of Engagement and Back to You are off air for the week, that's twice in a row for the Kelsey Grammer sitcom.

On Wednesday 21st May there is a 1 hr 7pm edition followed by Back To You. No Rules that week people. Go and complain to the diary room.

Big Brother watch

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Nine wins appeal against IceTV

The Nine Network has won an appeal in a copyright case against IceTV.

Nine claims that IceTV’s electronic program guide (EPG) infringed copyright in its television schedule by creating its own “independent compilation”.

IceTV initially won the case in August 2007 against Channel Nine.

Yesterday the Federal Court allowed Nine’s appeal, noting copyright over time and title of Nine guides. It found "Ice reproduced a substantial part of Nine’s copyright work. The required causal connection was present. This was a case of indirect copying of a substantial part of a copyright work."

Ice must pay Nine's appeal costs.

Most industry observers speculate that Nine has vigorously fought this action to diminish the power of viewers effectively building their own programming, recording and skipping shows via EPGs -a significant threat to advertising revenue.

But all is not over. The matter is referred back to the original judge, Justice Bennett for further hearing.

"We will vigourously argue our case before the courts," says IceTV's manager Matt Kossatz, "including if necessary to seek special leave to appeal to the High Court. Subject to digesting the Full Court’s judgment it is business as usual. We will be meeting with our legal team in preparation for the next round."

IceTV’s Chairman, Mr. Colin O’Brien added, “The battle is far from over and we are still convinced that when we demonstrate our true business methodology we will prevail.”

Source: IceTV
Federal Court
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Interview: Jason Stephens

When The Choir of Hard Knocks won a Logie as Most Outstanding Factual Series the voice over boomed, “Accepting the award is the show’s creator and presenter, Jonathon Welch!”

Except, that didn’t quite give viewers the full picture. What was that guy from the D-Generation doing there beside him?

Jason Stephens, who conceived the ABC series, has long put his performing days behind him, preferring to work creatively in production. His CV is quickly becoming dotted with projects that are heaped with praise. The King. The Choir of Hard Knocks. Newstopia. In our relatively small industry, that’s tantamount to ‘hitmaker’ status. He spoke to TV Tonight about his rise to glory, with two of his projects scoring wins at the Logie Awards.

“We’d won a couple of ASTRAs and some AFIs, so I was quietly confident (The King) was going to do ok,” he said. “But you go to those nights thinking it’s a bit of a lottery. I was particularly happy for Stephen (Curry) because he’d worked so hard and I think, all kudos to him because he gave such a great performance. And at the end of the day the whole film rested on his performance. There was a fair bit of pressure that went with it as well.”

Stephens is now Director of Development with FremantleMedia –a cushy title if ever there was one. He is given the envious task of overseeing a small team constantly looking at new formats that will be pitched to networks, and should they become hits, franchised internationally. In such a role, he doesn’t miss the on-screen days of the Late Show, preferring a vehicle that facilitates his passion: new ideas.

“The D Generation was always working on fresh ideas and having them to go air nationally each week. Now that I think about it I was always writing comedy scripts and thinking ‘gee who could play this?’ as opposed to thinking I was writing for myself. I guess that was a bit of a clue that performing wasn’t the number one priority for me.

“When I meet people who want to do stand up or want to be actors the ones who are driven, who kind of get there are really committed. I was never that sort of driven. Unless you’re passionate about those kinds of things you’ll quickly fall off.”

On Sunday Stephens stepped back into the spotlight, albeit momentarily, for due praise in creating the Choir of Hard Knocks. Choirmaster Jonathon Welch has traditionally been ‘the face’ of the hit show, a function that has served the project well. Despite it being Stephens’ concept, he remains comfortable with the media focus on Welch. It was something of a ‘win / win.’

“In terms of making the show we made a decision, not even a conscious decision. It was never going to make good TV to talk about where the idea came from. You don’t really want to put that television construct in the storytelling. It kind of gets in the way.

“So we said, y’know, Jonathon started up his own choir -which he did really. But we didn’t talk about the couple of stages before that which were me tracking him down. He’d already done it before in Sydney on a smaller scale about 4 or 5 years ago. But I tracked him down and said ‘I’ve read about this homeless choir in Montreal, and know you’ve done the same thing in Sydney and said would you like to it again in Melbourne on a much bigger scale with real support?’”

Now the show is being considered by a number of territories including France, Denmark, Germany and New Zealand.

This year Stephens has been busy with two projects, Newstopia for SBS and the upcoming Comedy Slapdown for the Comedy Channel.

After its second series, he is comfortable with where Newstopia is sitting and acknowledges the positives and negatives of not being in the spotlight of prime-time commercial television.

“We’d like to have more people watching it,” he concedes. “I feel like it’s a strong show but the problem has always been it’s ‘Off Broadway’ on SBS. It’s a network that doesn’t always attract a lot of people by the nature of it, but there’s advantages to that too.

“We’re given complete creative freedom and the show’s allowed to organically grow, as opposed to having the pressure of being on a commercial network. In an earlier timeslot the pressure’s on so I guess you can’t have it both ways.”

Stephens is in discussion with SBS about a third season of Newstopia hopefully eyeing September or thereafter.

“I think they’re really happy with the show. It’s been good for both sides.”

Comedy Slapdown meanwhile is another original format, bringing together 17 comedians, in theatresports-style rounds set in a wrestling ring. Comedians including Tom Gleeson, Julia Zemiro, Stephen Hall and Matt Tilley will comprise 5 teams of 3 round robin competition over 12 eps. It is hosted by H.G. Nelson.

It’s all part of a role that sees him oversee a number of genres. Busy boy.

“In terms of drama I’m developing a couple of different projects. And then there’s light entertainment, and then factual shows. So we’re across about three or four different genres and always working them up at various stages of development.

“Personally I’d love to do another drama off the back of The King. But I think in terms of the company’s sake it would be great to have a long running variety / light entertainment show, which I think everybody’s after.”

With his ninety-seconds of award glory for the Choir of Hard Knocks over, Stephens is back to the business of finding the next hit format.

“It was nice. It was good to get up there with (Jonathan). I’d been living with it a year even before I pitched it.

"The Logie for that was liberating in a way just to put it behind me and move on.”

TV1 will re-screen Stephen Curry's Logie-winning performance as The King this Sunday at 8:30pm. Read more...

Australian Story's show of force

Move over Hamish and Andy.

Monday's Australian Story will present the first of a two-part story in which a number of Aussie entertainers travel to Iraq and Afghanistan to entertain the troops.

General Peter Cosgrove will introduce the documentary which sees Angry Anderson, Tania Zaietta, Ami Williamson and others in Baghdad, Kabul and Kandahar.

In the second ep, they travel the Route Irish in Baghdad, where six people are killed the same day. They will also be seen having a spot of golf on the top floor balcony of one of Saddam Hussein’s bombed out palaces.

Press Release:

Show of Force is a fly-on-the-wall documentary about what it’s like to be a visitor in a theatre of war.

‘When my daughter Ami was offered the trip to Iraq … I was very proud … It sort of smacks of the Bette Midler, Bob Hope thing, you know. I think there’s something legendary about it, and I think she feels that too.’ — John Williamson (Ami’s father)

Join seven entertainers, one compere and twelve members of the Royal Australian Navy band as they venture into Iraq and Afghanistan with the Australian Defence Force for the adventure of a lifetime.

Angry Anderson, Brielle Davis, Ami Williamson, Fred Lang, The Wolverines and Tania Zaetta take us along for the ride in this 2-part Australian Story special, introduced by General Peter Cosgrove.

The entertainers conquer Kabul, Kandahar and Tarin Kowt (TK) in Afghanistan, and travel the infamous Route Irish in Baghdad before giving a farewell performance for our troops retreating from Iraq.

But the good times and great gigs ‘inside the wire’ provide a surreal contrast to the sobering realities of life outside, on the battlefront.

PART ONE
‘It’s just every now and again the reality of what I’m doing really hits … and I just kind of pull myself up and go, “Oh my goodness, I’m going to Iraq!” And you really kind of understand the magnitude of it.’ —Brielle Davis, Singer

The anticipation and excitement of travelling across the world to meet our military personnel is contagious. The entertainers are plunged from one extreme situation to the next. How will they cope with a Hercules landing into TK during active fire? Will Ami find a private room to swap her battle fatigues for a stage frock in five minutes?

‘There was absolutely no sleep last night … must have been about three in the morning, machine guns, rifles, helicopters overhead and all of us woke up and just went, huuuh … it really hit home that this is not fun and games. That it’s serious stuff going on out there and I feel very safe being in here, but still it’s pretty damn freaky.’ —Tania Zaetta, Compere

PART TWO
The team heads into Iraq and experience a frightening trip along the infamous Route Irish in Baghdad, where six people are killed that day. This is followed by a spot of golf on the top floor balcony of one of Saddam Hussein’s bombed out palaces. The final gig is a farewell concert for Australian troops who will be pulled out of Iraq in June. Everyone belts out the unofficial anthem of the defence force, The Angel’s Will I Ever See Your Face Again? to the Iraqi sky.

Producer: Wendy Page
Executive Producer: Deb Fleming

Part 1: 8pm, Monday 12 May, ABC 1 + 8pm, Tuesday 13 May, ABC 2
Part 2: 8pm, Monday 19 May, ABC 1 + 8pm, Tuesday 20 May, ABC 2

Press Release / Photo: Australian Story Read more...

US Ratings

Here are the latest US TV Ratings as a reference point for how some of your favourite shows are faring in the land of television.

Nielsen only officially allows publication of the Top 20.


Week ending 7/7/08 - 13/7/08
1 America's Got Talent 12,729,000
2 Wipeout 10,598,000
3 Bachelorette, The 9,990,000
4 CSI 9,857,000
5 Bachelorette, The 9,530,000
6 Greatest American Dog 9,528,000
7 Two And A Half Men 9,139,000
8 So You Think Can Dance 8,934,000
9 Hell's Kitchen 8,913,000
10 CSI:NY 8,895,000
11 So You Think Can Dance 8,853,000
12 NCIS 8,623,000
13 60 Minutes 8,203,000
14 CSI: Miami 8,411,000
15 Flashpoint 8,131,000
16 House 7,926,000
17 Criminal Minds 7,831,000
18 Price Is Right Primetime 7,712,000
19 Celebrity Family Feud 7,535,000
20 48 Hours Mystery Tuesday 7,352,000


Week ending 30/6/08 - 6/7/08
1 America's Got Talent 12,044,000
2 Wipeout 9,457,000
3 Criminal Minds 9,128,000
4 So You Think Cn Dance 8,756,000
5 CSI:NY 8,495,000
6 Two And A Half Men 8,485,000
7 60 Minutes 8,213,000
8 House 8,058,000
9 CSI: Miami 8,032,000
10 Hell's Kitchen 8,030,000
11 NCIS 8,004,000
12 CSI 7,606,000
13 48 Hours Mystery Tuesday7,595,000
14 Bachelorette 7,480,000
15 Million Dollar Password 7,446,000
16 Dateline 7,444,000
17 Bachelorette, The 7,295,000
18 Price Is Right Primetime 7,289,000
19 Cold Case 6,847,000
20 Celebrity Family Feud 6,887,000

Week ending 23/6/08 - 29/6/08
1 America's Got Talent 11,682,000
2 Wipeout 9,980,000
3 60 Minutes 9,419,000
4 Two And A Half Men 9,220,000
5 Celebrity Family Feud 8,818,000
6 So You Think Cn Dance-Thu 8,627,000
7 Million Dollar Password 8,485,000
8 So You Think Cn Dance-Wed 8,291,000
9 CSI: Miami 8,188,000
10 I Surved-Japanese Gm Show 8,004,000
11 Baby Borrowers 7,945,000
12 Criminal Minds 7,943,000
13 NCIS 7,851,000
14 Hell's Kitchen 7,805,000
15 CSI: NY 7,703,000
16 48 Hours Mystery Tuesday 7,552,000
17 Bachelorette, The 7,525,000
18 House 7,447,000
19 Dateline 7,444,000
20 CSI 7,332,000

Week ending 16/6/08 - 22/6/08
1 NBA Finals 16,879,000
2 America's Got Talent 12,777,000
3 60 Minutes 9,098,000
4 Two And A Half Men 8,948,000
5 So You Think Cn Dance 8,871,000
6 So You Think Cn Dance 8,855,000
7 Deal Or No Deal 8,717,000
8 House 8,625,000
9 Dateline 8,240,000
10 Deal Or No Deal 8,337,000
11 Hell's Kitchen 8,253,000
12 Million Dollar Password 8,199,000
13 CSI: NY 8,036,000
14 CSI: Miami 7,985,000
15 CSI 7,855,000
16 Smarter Than 5th Grader 7,846,000
17 Cold Case 7,250,000
18 Criminal Minds 7,250,000
19 Bones 7,135,000
20 Bachelorette, The 7,047,000


Week ending 9/6/08 - 15/6/08
1 NBA Finals On ABC 17,394,000
2 NBA Finals On ABC 14,509,000
3 NBA Finals On ABC 13,762,000
4 Two And A Half Men 10,720,000
5 NCIS 10,161,000
6 CSI 9,419,000
7 Million Dollar Password 9,361,000
8 48 Hours 9,212,000
9 CSI:NY 9,183,000
10 So You Think Can Dance 8,909,000
11 Hell's Kitchen 8,810,000
12 Deal Or No Deal 8,621,000
13 CSI: Miami 8,533,000
14 Rules Of Engagement 8,509,000
15 Criminal Minds 8,316,000
16 Without A Trace 8,198,000
17 So You Think Can Dance 8,019,000
18 House 7,968,000
19 60 Minutes 7,562,000
20 Bones 7,486,000

Week ending 2/6/08 - 8/6/08
1 NBA Finals on Abc 13,499,000
2 NBA Finals on Abc 13,384,000
3 Two And A Half Men 9,811,000
4 60 Minutes 9,809,000
5 Million Dollar Password 9,624,000
6 CSI 9,613,000
7 So You Think Can Dance 9,564,000
8 House 9,442,000
9 Hell's Kitchen 9,363,000
10 So You Think Can Dance 9,250,000
11 CSI: NY 9,114,000
12 NCIS 8,927,000
13 CSI: Miami 8,911,000
14 Swingtown 8,568,000
15 Criminal Minds 8,271,000
16 CSI 8,211,000
17 Rules Of Engagement 8,118,000
18 Cold Case 8,078,000
19 Dateline 7,992,000
20 48 Hours Mystery Tuesday 7,777,000

Week ending 26/5/08 - 1/6/08
1 Lost 12,303,000
2 Two And A Half Men 10,811,000
3 Million Dollar Password 10,621,000
4 60 Minutes 10,291,000
5 NCIS 9,774,000
6 Criminal Minds 9,730,000
7 CSI:NY 9,563,000
8 So You Think Cn Dance 9,561,000
9 Hell's Kitchen 9,500,000
10 So You Think Cn Dance 9,359,000
11 CSI 8,799,000
12 Without A Trace 8,516,000
13 Rules Of Engagement 8,469,000
14 48 Hours Mystery Tuesday 8,448,000
15 Dateline 8,088,000
16 Moment Of Truth 7,403,000
17 Price Is Right 7,785,000
18 Cold Case 7,732,000
19 Law And Order:SVU 7,312,000
20 Law And Order: 7,064,000

Week ending 19/5/08 - 25/5/08
1 American Idol-Wednesday 31,661,000
2 American Idol-Tuesday 27,061,000
3 Dancing W/Stars Results 20,122,000
4 Dancing With The Stars 19,223,000
5 Grey's Anatomy 18,092,000
6 NCIS16,524,000
7 House 16,358,000
8 CSI: Miami 16,265,000
9 Two And A Half Men 14,700,000
10 Criminal Minds 13,153,000
11 Rules Of Engagement 12,290,000
12 CSI: NY 11,830,000
13 Hell's Kitchen 11,441,000
14 Deal Or No Deal 10,333,000
15 Bones 10,302,000
16 Shark 10,271,000
17 Ugly Betty 8,753,000
18 Dancing W/Stars 8,740,000
19 So You Think Cn Dance 8,739,000
20 Law And Order 8,573,000

Week ending 12/5/08 - 18/5/08
1 American Idol-Wednesday 24,863,000
2 American Idol-Tuesday 24,772,000
3 Dancing With The Stars 18,469,000
4 CSI 18,063,000
5 Dancing W/Stars Results 16,987,000
6 Desperate Housewives 16,837,000
7Grey's Anatomy 15,546,000
8 House 15,022,000
8 NCIS 14,879,000
9 Without A Trace 14,537,000
10 CSI: Miami 13,923,000
11 Two And A Half Men 13,824,000
12 Criminal Minds 12,876,000
13 CSI: NY11,858,000
14 Acm Awards 11,731,000
15 Law And Order:SVU 11,496,000
17 Hell's Kitchen 11,308,000
16 Extreme Makeover:Home Ed. 11,217,000
19 Lost 10,962,000
18 60 Minutes 10,790,000

Week ending 5/5/08 - 11/5/08
1 American Idol-Wednesday 22,867,000
2 American Idol-Tuesday 21,755,000
3 Dancing W/Stars Results 18,379,000
4 Dancing With The Stars 18,105,000
5 CSI 18,071,000
6 Grey's Anatomy 16,027,000
7 Desperate Housewives 15,427,000
8 Without A Trace 14,666,000
9 CSI: Miami 14,109,000
10 NCIS 14,042,000
11 Two And A Half Men 13,610,000
12 House 13,484,000
13 Survivor:Micronesia Final 12,978,000
14 Criminal Minds 12,881,000
15 CSI: NY 12,732,000
16 Survivor: Micronesia 12,624,000
17 Extreme Makeover:Home Ed. 11,975,000
18 Hell's Kitchen 11,004,000
19 Lost 10,782,000
20 Brothers & Sisters 10,693,000

Week ending 28/4/08 - 04/5/08
1 American Idol-Tuesday 25,094,000
2 American Idol-Wednesday 22,800,000
3 Dancing With The Stars 18,222,000
4 CSI 18,012,000
5 Dancing W/Stars Results 17,059,000
6 Desperate Housewives 16,757,000
7 Grey's Anatomy 15,313,000
8 NCIS 14,763,000
9 House 14,641,000
10 CSI: Miami 13,880,000
11 Criminal Minds 13,030,000
12 Two And A Half Men 12,915,000
13 Without A Trace 12,834,000
14 Survivor: Micronesia 12,320,000
15 Law And Order: SVU 12,313,000
16 Hell's Kitchen 11,940,000
17 Extreme Makeover:Home Ed. 11,570,000
18 Cold Case 11,562,000
19 CSI: NY 11,508,000
20 Brothers & Sisters 10,463,000

Jan - April 2008

Ratings are ranked by audience numbers.
Source: zap2it

This section updates. Read more...

Airdate: Crime Investigation Australia

Another of the excellent locally-produced docos from Crime Investigation Australia is coming, this time revisiting the 1980s murder of a New South Wales’ teenager in Headless Body – The Kim Barry Story.

In 1981, the body of a young teenage girl was found dumped in bushland beneath a mountain lookout near Wollongong, south of Sydney. The head and fingers had been removed to prevent identification and the girl’s own bra and blouse had been used to tie her hands and feet.

The Steve Liebmann-hosted series will feature interviews with chief investigator, Keith Smith, the case’s leading senior detectives and Kim’s father, Brian Barry.

The world premiere episode will screen at 7:30pm May 29 on Crime & Investigation Channel.

No motive has ever been established for the killing and the convicted killer local miner, Graham Potter, who was released in 1996 after serving 15 years, still proclaims his innocence.

Press Release:

Crime Investigation Australia, FOXTEL’s smash-hit crime series, will revisit the infamous 1980s murder of a New South Wales’ teenager in the world premiere of CIA: Headless Body – The Kim Barry Story, airing on Thursday, May 29 at 7:30pm AEST.

Hosted by Steve Liebmann, this extraordinary episode looks back at how a determined team of crack detectives used ground-breaking forensic techniques to solve one of New South Wales’ most baffling murder cases.

This episode features detailed re-enactments and interviews with key figures from the case; including chief investigator, Keith Smith, the case’s leading senior detectives as well as an intimate interview with Kim’s father, Brian Barry.

In 1981, the body of a young teenage girl was found dumped in bushland beneath a mountain lookout near Wollongong, south of Sydney. The head and fingers had been removed to prevent identification and the girl’s own bra and blouse had been used to tie her hands and feet.

When the clothing was displayed on the evening news, the victim’s distraught mother recognised them and the body was soon identified as that of Kim Narelle Barry, a 19-year-old local shop assistant.

Kim’s head and fingers were later found in scrub some distance from the lookout. Damage to the skull showed she had been bludgeoned to death.

It was a classic murder mystery.

A national manhunt culminated in the arrest of local miner, Graham Potter.

Despite his protests of innocence, and claims that two thugs had actually killed her, Potter was convicted of Kim Barry’s murder and sentenced to life imprisonment.

No motive has ever been established for the killing and Potter, who was released in 1996 after serving 15 years, still proclaims his innocence.

FOXTEL’s world premiere of CRIME INVESTIGATION AUSTRALIA: HEADLESS BODY – THE KIM BARRY STORY revisits the case of the horrific murder of one young teenager on Crime & Investigation Network on Thursday, May 29, at 7:30pm AEST.

Kindly link to this site when sourcing or posting in messageboards, thanks! Read more...

Aussie soap out of the race

Major news today from the UK with BBC1 dropping Aussie-made soap Out of the Blue after just six episodes. That's nearly as bad as Canal Road.

The remainder of the 130x30' run will air on BBC2 in a 13.00 slot from May 19.

Last week there was much hype over the strong debut for the series but ratings tumbled from 1.2 million for its April 28 debut to just 655,000 a week later.

"Out of the Blue is a bold and original commission for BBC daytime with its compelling mix of human drama and its intriguing murder mystery set in a stunning location," a BBC spokesman said. "The afternoon slot on BBC One, which the series had been in, is very competitive and by moving the show to BBC Two, we hope it will find a stronger home."

The future for the TEN Network must surely mean it is now off the table too? TV Tonight hears it was slated for a 6pm lead-in to Neighbours, the show it was made to replace in the UK. TEN would still get local quota points by running it (and frankly they need those), but now it is likely everyone will be re-thinking their position.

Disappointingly it will be replaced in the UK by the old Dick Van Dyke series Diagnosis Murder.

Start the timeclock on how long it takes local media to pick up this story, guys.

Source: C21, Digital Spy Read more...

First Review: Flight of the Conchords

Who doesn’t love a good gag about New Zealand?

It’s the accents, the sheep, Helen Clark, the bloke who was ‘raped’ by a wombat, the perception that it’s stuck in the ‘70s and the fact that it’s far away enough to allow us to feel superior.

So the last thing I expected was two New Zealanders actually taking the piss first. No fair!

But that’s exactly what comedians Jermaine Clement and Bret McKenzie do as Flight of the Conchords.

The two singer-guitarists are already well-travelled performers, working the comedy circuit from Melbourne to Edinburgh. Their self-deprecating humour sits comfortably alongside ‘university’ humour of cool comics like Tripod.

They quickly endear themselves as lovable losers, and it’s this tone that has been transported into an offbeat, narrative comedy produced by none other than HBO.

The plot of their self-titled comedy series sees these two out-of-work musos trying to crack the big time in New York. They share an apartment while writing songs, busking, trying to hold down part time jobs, win girlfriends and haggling with their vacuous manager Murray (Rhys Darby).

Murray has aspirations bigger than his capacity. He works in a rundown New Zealand consulate office, walled by brown wood panelling that looks like something straight out of The Castle. Posters of mountains and The Lord of the Rings on the wall look down on band meetings where nothing is ever achieved or inspired.

Like the comedy of Ricky Gervais, this is understated humour sans laugh track or multicam. It also draws upon the boys’ considerable musical talents: they break into song at any given moment. Their music is a mix of folk and rock, peppered with lots of wry lyrics (“I’m sitting at this table called love/Staring down at the irony of life/How come we’ve reached this fork in the road/And yet it cuts like a knife?”) while other numbers are parodies of other artists (wait til’ you see ‘West End Girls’ reinvented in the second episode).

Arj Barker is a regular as a pawn shop employee, and comedienne Kristen Schaal steals the show as the boys’ slightly demented number one fan.

I’m hoping TEN’s audience won’t be too thrown by the unconventional storytelling and breakout songs (Viva Laughlin anyone?) which is actually the reason the show has some genuine originality.

Flight of the Conchords premieres 10:10pm Sunday on TEN. Read more...